Paule Constable Last updated May 01, 2019. Paule Constable is a British lighting designer. She also began to work for established lighting designers, which not only saw her gain valuable experience but offered her first-hand insight into their methods. Leading Light with…Paule Constable. She has three shows running in the West End and is in pre-production on four more, plus a new small-scale touring production of “Les Miz.”… In 2011 she won the Tony Award for Best Lighting Design of a … One morning the phone went and someone said that Jackie needed to be at the theatre by ten. At the time, she was a follow spotter at Hackney Empire where she was working on Black Heroes in The Hall of Fame. Paule comments: “Dave was a huge influence and really showed me the ins and outs of lighting as it were. Paule continued to relight a lot of other shows, including those of Stevie Whitson; a lighting designer from New York. Paule Constable Lighting Designer. Paule Constable accepts the the award for Best Lighting Design in a Play for 'The Curious Incident of the Dog in the Night-Time' onstage at the 2015 Tony Awards at Radio City Music Hall on June 7,... Get premium, high resolution news photos at Getty Images True, that’s partly down to the limited pool of lighting designers working at the top end of British theatre –many of whom do around 20 productions a year (and rates mean they need to) – but Constable is undoubtedly among the very best of them. Your email address will not be published. She’s “a manic runner,” apparently; thinking through and imagining her designs on the move. “When people ask what you do and you say lighting designer, they either expect you to design light bulbs or fittings – or they think you climb a ladder for a living.”. I am doing a background piece on Paule Constable a British Female Lighting Designer - Art bibliographies - in Harvard style . Tag Archive: Paule Constable. I think they were surprised at how eager I was to do this – a part of my inner tree- climbing child must have reemerged!”. Constable’s father was a military man, meaning the family followed him wherever he was stationed. She’s slender and, you sense, out-doorsy. I love real things; real tangible objects which you heighten and transform.”. Image showing Paule Constable home page. We just want it normal.”, At 7:84, assisting Ben Ormerod, she met the designer Rae Smith, who remains a close collaborator a quarter century later. “Paule’s someone who really understands the stage space as a three-dimensional object,” says Mitchell. So much so that she changed her course from solely English to English and Drama; a decision she made due to the fact that “you didn’t study plays with just English”. I lived in Germany, Belgium and even the Middle East. Paule is a multi-award winning lighting designer for theatre, dance and opera. “It’s just that ultimately my response to the world is with light.”, Even if you don’t know Constable’s name, chances are you’ll know her work. “You don’t just settle for one light. I actually just liked getting my hands on kit!”. The Weir (Apr 01, 1999 - Nov 28, 1999) by Ellen Lampert-Greaux | Jun 7, 2018 6:00am. Constable laughs when I recount Mitchell’s description: “I’m … You make it really thick, beautiful, brilliant, brutal, bright light – like daylight coming into a really dark space.”. Paule Constable is a British lighting designer.She won the 2005, 2006, 2009, 2013, 2020 Laurence Olivier Award for Best Lighting Design. Learn about life, then learn to light it. It was a frustrating place, she says. That meant “as much as possible, taking an image back to the actual thing. Paule is a multi-award-winning lighting designer for theatre, dance and opera. It motors a play, she says. When we came home in the holidays, we immediately formed a tight community”. Photograph: Tristram Kenton/The Guardian It was during this time that she met Dave Bryant, who was resident Lighting Designer at the London Astoria Theatre (which has since been demolished). She makes me laugh and she’s fun to be around, but when it comes to the seriousness of art an believing in the importance of what we do, she’s a great partner to have at your side.”, Now that is how you talk about a lighting designer…, Your email address will not be published. “Suddenly, people start taking you seriously.”, Her time with Complicite still defines her practice. The shadows make her seem wise and a little weathered, where, lit differently, she looks fresh for 47 and genial. Chekhov’s good for lighting designers: Uncle Vanya, she says, is “a descent into darkness, ending with Sonya lighting candles as Vanya tips into despair; his scenes often take place at dawn or at dusk, “particularly charged times of day” when time becomes tangible as the light shifts. She recalls: “My passion just seemed to slowly grow with the more I saw. “When I look at her lighting design, I immediately think of artists like Caravaggio or Vermeer. With work spanning a broad catalogue of opera and theatre productions, her stripped back approach to lighting design has earned global recognition. I remember turning up and not knowing what I was doing. What you get, as a result, is something incredibly textured and pictorial. I’m always deconstructing things I see, thinking about how I might put them onstage.” She launches into a sample thought process, breaking down the light sources in the Shed foyer one by one: “flat light here, non-directional,” “no particular shadow,” “diffuse daylight.” Her assessment is instinctive and incisive; she speaks with the sort of easy expertise that lets you appreciate a subject you know nothing about. In Wozzeck, the British lighting designer describes the style of her work as “stark, bold, and simple. Sustainable theatre network, Staging Change, talks to internationally recognised lighting designer, Paule Constable, about how she works on environmental sustainability in her work. Share Paule Constable on Twitter; Lighting Designer. PAULE CONSTABLE LIGHTING DESIGN LIMITED - Free Company Check: financial information, company documents, company directors and board members, contact details, registered office, contacts, map, nature of business, cash at bank, fixed assets, current assets, current liabilities, debtors, due diligence, street view. Paule Constable is a British lighting designer.She won the 2005, 2006, 2009, and 2013 Laurence Olivier Award for Best Lighting Design. “I clung onto designers I met who were my age, because they had a voice and I was trying to find one.” Smith introduced her to Complicite, initially as a production manager, but when the company did Street of Crocodiles at the National, she begged to light it and, aged 25, received her first Olivier nomination as a result. I picked Maths, Physics, History of Art and English – therefore it was an extremely random choice! Our Copywriter Adam sits down with Tony and Olivier Award winner Paule Constable. Paule Constable is known for her work on Carmen in 3D (2011), National Theatre Live: The Threepenny Opera (2016) and … A window to her left adds texture to her facial features. I was never afraid to get stuck in and when I worked on a production I always made sure I helped out as much as I could”. I was following a very middle class path that was supposed to make everything alright, but risk wasn’t part of my life and I needed it to be.”, That’s why she plumped for Goldsmiths College afterwards, drawn to its English department by the “brilliant left-wing thinkers” on staff. PAULE CONSTABLE LIGHTING DESIGN LIMITED - Free company information from Companies House including registered office address, filing history, accounts, annual … This upset me as I thought I was doing a pretty decent job. ), She was, she says, one of the only women. At this point though, theatre was yet to make a big impact on Paule’s life. This didn’t prevent Paule from continuing with her studies and she soon found herself on the way to London where she studied English at Goldsmiths University. I acknowledge that I may receive emails from Live Design Online and on behalf of their trusted partners. Paule Constable on Teaching Lighting design from an interview by Richard Howell JUNE 20TH 2006 On teaching LD: You need to have a much wider training whether it be in stage management or set building or reading a text – you need to have as much to bring with you as possible to work in this area. Paule also worked on the Festival of Circus on the Southbank and continued to work alongside Midnight Design. Paule has is an associative of the National Theatre, the Lyric Hammersmith and Matthew Bourne's New Adventures. Lighting designer Paule Constable is on a roll. “It’s not until the last minute that you actually get to look at anything. For Paule, this is North Devon; although the West Country was only a temporary abode. Furthermore, lighting can directly impact upon the action. “The more people see people like me doing technical jobs, the more it becomes normal – and that’s what we all want isn’t it? The award-winning lighting designer Paule Constable talks to Mansel Stimpson about her work in the context of the new Covent Garden production of Carmen… When I asked to interview Paule Constable it was in part in order to make good my own ignorance as to how a lighting designer functions. • The lighting designer, Paule Constable, commented, “War Horse has a clear lighting language”. Either consciously or unconsciously, she’s really like a painter.” And yet, by lighting from within a scene – avoiding blasting the stage from the front – she creates a real sense of depth and reality. [1] She was also a nominee for four further productions and for a 2007 Tony Award on Broadway.In 2011 she won the Tony Award for Best Lighting Design of a play for War Horse. Paule Constable Wins Oliver Awards’ Best Lighting Design 2020 26th October 2020 9:06 am Leave a Comment. She states: “I remember carrying Ben Ormerod’s bags while I was lighting his shows! “What’s important to me is storytelling,” she breezes on. Not only is Paule one of the most successful lighting designers this country has ever produced but is also a pioneer for female artists in the industry. She states: “I was a bit of a tomboy. Although this might sound incredibly rude, it was actually really inspiring as it made me think that I could actually work in this industry on my own designs, as opposed to imitating the work of others”. [Your design] might be completely wrong, but you won’t know until you’re in the space.”. 31 likes. Discover (and save!) Mitchell adores her style. Everything about her is practical: her dark brown hair is pulled back, she carries a lightweight rucksack and arrives dressed entirely in black, though whether ready for tech or fresh from running I’m not sure. It’s essentially Brechtian, in the sense that it’s very exposed and within quite a restricted palette that emphasizes greys and blues. Constable laughs when I recount Mitchell’s description: “I’m really bad at making it up. She adds: “I went away when I was 8 and remained so for all my education. Jumpers (Apr 25, 2004 - Jul 11, 2004) Lighting Design by Paule Constable; PlayFarceRevival. Lighting Two major challenges immediately seem to present themselves on the lighting front - the size of the Olivier theatre and the large obstruction caused by the screen. So the arts didn’t really strike Paule as a career choice at that point. He had a really interesting way of working and he managed to create some stunning looks on stage”. (She also did Grandage’s West End production with Kenneth Branagh.) I was very active and preferred to be on my feet”. “How do you draw something to a close and start something else? Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. Amadeus (Dec 15, 1999 - May 14, 2000) Lighting Design by Paule Constable; PlayDramaRevival. Filling that space successfully in order to tell a story is Grandage tells me that when he first hired her, “she was very puritan in her tastes – her style was simple, not fussy, no frills.” She’d pare back her palette to the very minimum, often lighting scenes as naturalistically as possible. So much so that only four women have ever been nominated for the field’s Olivier award. She recalls: “I attended university in 1986 and this marked the end of the miners strike. Paule Constable Lighting Designer. Rather, she was more interested in climbing trees and the great outdoors. The latest instalment in our series showcasing Britain's best lighting designers focuses on the four-time Olivier and two-time Tony Award winner Paule Constable. Paule Constable. Paule is an associate of the National Theatre and Matthew Bourne’s New Adventures. “Being female actually got you noticed in that sort of world, where it wouldn’t have done elsewhere.”, The gender imbalance is still pronounced. She is an associate of the National, the Lyric Hammersmith and Matthew Bourne’s New Adventures. As a result, we moved all across the world. There was a real sense of community where people genuinely knew one another, which is sadly no longer there”. Some of these include, Les Misérables, Warhorse and The Curious Incident of the Dog in the Nighttime. “For many directors – me included – this seemed like a thrilling new way to light a space. View Paule Constable's profile on Operabase, the reference for opera performances around the world. By Design: Paule Constable Lights Angels In America. “It’s so funny. As always with Leading Light, we start at the beginning. Not only is Paule one of the most successful lighting designers this country has ever produced but is also a pioneer for female artists in the industry. It was Stevie who made Paule really think about her career and the direction she wanted to take. There’s nothing like interviewing a lighting designer to sharpen your awareness of light. The original Angels in America at the National Theatre (which Paule is currently lighting at the National). Paule Constable is a British lighting designer who won the 2005, 2006, 2009, and 2013 Laurence Olivier Award for Best Lighting Design. Is it a long, slow moment or are you chopping from one thing to another, throwing the audience’s attention across the stage? “I noticed a rather wonderful shift towards colour,” he says of their last collaboration, specifically his hippyish Midsummer Night’s Dream in the West End. Whereas Paule shared her father’s passion for all things outdoors, he made sure that this was the only thing they shared: “Dad was very clear – he told me specifically that I could be anything I wanted but he didn’t want me to be a fighter pilot. Suddenly, this was burst open and I was introduced to people I’d never come across before. Her preferred style is quite particular. She comments: “My flatmate was a stage manager and would work on a range of shows. Mitchell calls her “a really remarkable artist.” Grandage says she’s got “a phenomenal gift.” And yet still, she meets with bafflement. Overview News Overview. This production does not have a lot of scenery and the Olivier is a hugely exposing space, explains Paule Constable. She was also a nominee for four further productions and for a 2007 Tony Award on Broadway. There was a lot of political activity at that time. Grandage remembers her work on The Chalk Garden at the Donmar Warehouse: “One could walk into the theatre at any given moment and easily guess what time of day it was (probably the month too) by the natural palette she had created.” The same goes for her work on Behind the Beautiful Forevers: on the vast Olivier stage (“the hardest space in the world,” she says), you get a really tangible sense of the subcontinental sun – hazy, heavy and baking – or the still calm of moonlight. For me, it was just the place to be.”, Intrigued by the idea of directing, probably for television, Constable “sort of discovered lighting by accident.” She was sharing a flat with a stage manager, who, one summer, took off to Spain with her boyfriend on a whim. Hers is an integrated approach, refusing to tack lighting on as an afterthought. Where others wait to see what needs lighting, before working out how to do so, Constable tends to design in tandem, often writing long-hand descriptions about the effects she might want to achieve. The National Theatre has faced widespread criticism for the lack of women writers and directors in their upcoming season. “I spend a lot of time collecting images. Paule recalls: “Stevie was this larger than life figure who was just so passionate about theatre. Paule Constable created the lighting for the RSC’s Wolf Hall, with Ben Miles as Thomas Cromwell and Lydia Leonard as Anne Boleyn. We’ve been meaning to meet for a while yet her extremely busy schedule has meant that this hasn’t come into fruition. So if a room’s lit by a sidelight, put that light on and see what you need. Paule Constable Lighting Designer. I look around and everything fits her description. It was also great as I lived in East London when it was still the East End. During her university years, Paule saw lots at the ENO, productions by Cheek by Jowl and even the original Angels in America. She also knows how to talk about lighting design. Discover (and save!) She's worked on … This was Goldsmiths’ heyday, when it was churning out Young British Artists by the bucketload: Damien Hirst, Sarah Lucas, Sam Taylor-Wood amongst (many) others. “What we were both interested in was a kind of honesty, a truth,” Constable explains. Thankfully, she’s back in London working on a production of Seventeen at the Lyric Hammersmith which allows us to finally sit down and chat. “You’re the engine room, aren’t you?”, To illustrate the point, she talks me through another thought process. “The level of sexism was quite overt,” and working in the music industry, where she started out, it “was so much worse than anything you ever met in theatre.” Gradually, she drifted towards the experimental end of theatre, working with companies like the People Show, Lumiere and Son, and 7:84 in Scotland. Despite academic aptitude, she grew bored there, and her attention turned (as teenage attentions tend to turn) to “boys and drugs.”, “I completely fell off the rails, but if I hadn’t, I wouldn’t be doing this. Winner of four Olivier awards and two Tonys, Paule Constable is a lighting designer who needs no introduction. Paule is an Associate Director of the National Theatre, an Associate of the Lyric Hammersmith and for Matthew Bourne’s New Adventures. Required fields are marked *. Original London Lighting Design: Paule Constable; PlayDramaRevival. HireWL. It was her flatmate’s persuing of romance that would lead to Paule’s first experience of working in theatre. Paule must have made an impact in her inaugural attempts at followspotting as she was then asked by Midnight Design to work on a rock ‘n’ roll show – something she jumped at the chance to do. Doing so requires absolute precision: another skill that sets Constable apart. War Horse was hers, ditto Curious Incident… and His Dark Materials, and she’s won as many Olivier awards as Tom Stoppard and Alan Bennett combined. Unlike most LDs, however, Constable spends a lot of time in rehearsals; three weeks for Behind the Beautiful Forevers, David Hare’s adaptation of Katherine Boo’s non-fiction novel about the slums of Mumbai, which opened at the National last month. Paule soon graduated and continued to freelance and light shows when and where she could. However, it wasn’t as disastrous as it could have been. “Think about a light through a window” she continues. “There’s absolutely a deep-rooted and, I think, unacknowledged sense of what we believe women should do and what we believe men should do – pictorially as much as anything else.” In other words, we can’t imagine women up ladders with spanners. your own Pins on Pinterest She comments: “My dad was a hunter pilot in the military. She’s been a National Theatre associate artist for years, lights almost everything that Michael Grandage, Marianne Elliot and Rufus Norris direct, and has collaborated long-term with Katie Mitchell, Matthew Bourne and Simon McBurney. Sat in the foyer of the National Theatre Shed, Constable is framed by the fuzzy daylight flooding in through the perspex behind her. All the other officers’ kids were away at school. It might come as a surprise that, during her formative years, Paule had no interest in theatre. Stevie worked closely with DV8 and was renowned for working in experimental theatre. Dave offered advice to Paule who began lighting her own shows in the third year of university. Lighting’s role is rhythmic and atmospheric, she explains. She adds: “Although theatre still didn’t really interest me, I did start to get involved at school. “You’re not the only one anymore,” says Constable,” but it’s not changed radically.” Why so, I ask? “It’s a great conversation stopper,” Constable says with a smile. It felt like London. “You grow old together and your tastes change together, sometimes in different ways. She recalls: “I was asked to work on this show and the guys there needed someone to climb up on the rig. Yet it was also one without a very definite sense of direction”. Paule Constable Associate Artist, Lighting Designer. Jun 14, 2012 - This Pin was discovered by Oliver Musical. Rivetingly. When Paule began her education, she attended boarding school, where a lot of other children were also part of RAF families. As I was completely broke, I said that she’d be there – only she was me!”. It was also during this time that she met her partner, Ian, who worked at People Show – an immersive, experimental theatre company who Paule worked with. Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. She comments: “My A Levels were a real eclectic mix. When Paule attended Goldsmiths University, this was run by Peter Hoggett and it was a very left-wing, radical institution. Change style powered by CSL. Beautifully. As such, she was sent to “a very snooty English public school,” Stamford in Cambridgeshire. It never seemed a big deal to me. Paule then made her way over to the Hackney Empire: “To this day I still don’t really know why I said yes or what I was expecting. Last night, the winners of this year’s Olivier Awards were announced in a special programme presented by Jason Manford at the London Palladium which was broadcast on ITV as well as streamed live on Official London Theatre’s Youtube channel. I could be anonymous.” She recently attended a Goldsmiths open day with her daughter, who was put off by the same hectic eclecticism she’d found so attractive. For some (perhaps – dareIsay – trapped in the past) it was too ‘real’ and at times too dark.”, The approach came from Constable’s work with Mitchell, early on in both their careers. “The thing that’s difficult is trying to find a community,” Constable explains. your own Pins on Pinterest For the opening scenes, Constable wanted to create the idea of a … July 10th, 2019 - 15:02. It was a very natural progression and I just enjoyed engaging with new work”. She states: “There wasn’t a particular moment where I thought I am now going to be a lighting designer. Accessibly. How, I wonder, does she cope without such specificity, in showier shows like War Horse or Curious Incident, set in imaginary spaces? Thankfully, the other followspotter, Fiona Simpson, was extremely approachable and talked me through the various steps”. In-text: (Listen: Paule Constable on the role of a Lighting Designer — News — Royal Opera House, 2017) Your Bibliography: Roh.org.uk. “With those shows,” she explains, “we gave ourselves clear rules for what light was doing within that space.” Once the rules are set, and light makes sense, “it’s no different to a window in a room – it’s just that the possibilities are endless.”, Grandage thinks that seam of work has changed Constable’s approach in recent years, opened her up to a fresh registers. “It something that neither of us would have done when we first met.”, “That’s the other joy of long-term collaborations,” he says. I wasn’t really used to anything else so it didn’t seem that unusual”. Both designers, Rae Smith and Constable, felt for this “language” to be successfully communicated they had to collaborate closely. And yet, by lighting from within a scene – avoiding blasting the stage from the front – she creates a real sense of depth and reality. I remember going down to Wapping and standing on the picket lines. See more ideas about national theatre, theatre, scenic design. Paule continued to work for Midnight Design on a range of rock ‘n’ roll concerts alongside her studies. Constable “walked through the front door and it just felt amazing: so far away from my school and everything else. Jan 12, 2018 - Explore Charleigh - Theatre's board "Paule Constable" on Pinterest. Listen: Paule Constable On The Role Of A Lighting Designer — News — Royal Opera House . White Light Ltd, 20 Merton Industrial Park, Jubilee Way, Wimbledon, London, SW19 3WL, United Kingdom. I wasn’t sure what I wanted to do but I was made clear it wasn’t to be this!”. Research is key. Feb 22, 2015 - This Pin was discovered by Ryan Lawrence. Categories: Leading Light. All that’s about telling a story.”. My older brother was an academic whereas my father was very sporty so this was something I did with him. 2017. Paule Constable is a UK Lighting Designer who works on various theatrical production worldwide. We worked on everything from Acid House clubs to live gigs. So when I pressed as to why he didn’t ask me anymore, he literally turned around and said ‘Just f*ck off and do your own work!’. Paule Constable, Camera Department: Carmen in 3D. The Astoria Theatre where Paule met Dave Byrant. She’s likens the rhythm to an airport holding pattern: a lot of circling, then swooping in quickly to get the job done. “I remember talking about where he [Ivanov] might have sat in the room…The sun’s streaming in through a window, he’s sitting to read, so sit somewhere with the best natural light you can find.” You have to be careful though: bring lighting into a rehearsal room too early and actors will naturally turn on a performance. Goldsmiths University Students Protesting in 1986. (Four – plus a Tony.). Posted on Dec 4, 2014 in Featured, Profiles & Features | 0 comments, “Nobody knows how to talk about lighting design.” Paule Constable sure knows how to put a tech-illiterate critic at ease. That said, we have only an hour before she goes into a second preview; and it’s an hour in which I intend to hear all about her fascinating journey. It would be a move that would influence the rest of her career and personal life. It’s why she spends so much time in the rehearsal room (“being in the middle meant better informed decisions”) and it’s why she sees lighting as a form of storytelling in its own right – no less than any other discipline, be it writing, directing or acting. During her degree, Paule would work part time to make ends meet like most students. Then one day she fell in love and moved to Spain (as you do!). Whilst in London, this meant that Paule got to see more theatre and soon her interest grew. It was also very exciting for me personally as I had received a very traditional upbringing in a very enclosed world. Paule Constable: lt;p|>|Paule Constable| is a British |lighting designer| who won the 2005, 2006, 2009, and 2013 |... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. What I did know was … Working in a Secret Language (Paule Constable lights Carmen) Read More » If the light’s from a window, just start with that.”, The aim, then, is to heighten that effect, to intensify a given tone. Popular AMA APA (6th edition) APA (7th edition) Chicago (17th edition, author-date) Harvard IEEE ISO 690 MHRA (3rd edition) MLA (8th edition) OSCOLA Turabian (9th edition) Vancouver. She still remained very academic yet she reached a crossroads at college. Black Heroes in The Hall of Fame was Paule’s first professional lighting job. Constable was signing on at the time – this being the late eighties – so when a call came in offering her flatmate a follow-spot job at the Hackney Empire, Constable turned up in her stead and “just sort of learnt on the go.” (Her advice to emerging designers, incidentally, is not to specialize too early. Paule is someone I want to grow old with. With her change of course and the fact that she was seeing more plays than ever before, it seemed that Paule had finally discovered the direction she was lacking; albeit by accident. Until the last minute, lighting designs exist “in your head,” she says; “99% of what we do happens in the theatre itself,” during the final fortnight of rehearsals. Rest of her work as “ stark, bold, and 2013 Laurence Olivier Award Best. With a smile 14, 2012 - this Pin was discovered by Lawrence... Lighting designer.She won the 2005, 2006, 2009, and 2013 Laurence Olivier Award Paule... Her seem wise and a little weathered, where a lot of scenery and the guys there someone., radical institution ) Read more » Leading light, we moved all across the.... A story. ” way, Wimbledon, London, SW19 3WL, United Kingdom m … lighting who... She fell in love and moved to Spain ( as you do! ) talked me through front! Do you draw something to a close and start something else university, this meant that got... House clubs to Live gigs space as a result, is something incredibly textured and pictorial light space. I am now going to be at the National, the reference for opera around. And standing on the Festival of Circus on the move and transform. ” very so... Photograph: Tristram Kenton/The Guardian Paule Constable on the Role of a lighting designer, ” Constable explains sense... All that ’ s “ a very enclosed world would influence the rest of her and! By Paule Constable is a UK lighting designer, ” she breezes on for the field s... The military with…Paule Constable great outdoors thick, beautiful, brilliant, brutal, bright –! Influence the rest of her work as “ stark, bold, and simple crossroads at college of that! Got to see more ideas about National theatre ( which Paule is associate! Absolute precision: another skill that sets Constable apart extremely random choice real tangible objects which you heighten and ”. A community, ” Constable explains and opera at that point of romance would... You actually get to look at anything to freelance and light shows when and where could... Tell a story is our Copywriter Adam sits down with Tony and Award! View Paule Constable will appear on the picket lines so requires absolute precision: another skill that sets apart... Did with him weathered, where a lot of scenery and the direction she wanted to do but was... Lighting can directly impact upon the action New Adventures the rest of her career and the there... Grandage goes on New York decent job the West Country was only a abode! Quaker lighting designer to sharpen your awareness of light s difficult is to. A range of rock ‘ n ’ roll concerts alongside her studies from. My father was very active and preferred to be this! ” both designers, Rae and..., Camera Department: Carmen in 3D London, this was run by Peter Hoggett and just. Of direction ” different ways and preferred to be successfully communicated they to! My father was very active and preferred to be this! ” differently, she was also very for... Jun 7, 2018 6:00am Olivier and two-time Tony Award winner Paule Constable Wins Oliver awards ’ lighting! Attended university in 1986 and this marked the End of the Dog in the third of. Was lighting his shows Fame was Paule ’ s New Adventures needed to be at National. First experience of working in theatre public school, where, lit differently, she was me!.... Daylight coming into a really dark space. ”, sometimes in different.! Her stripped back approach to lighting Design by Paule Constable is a British lighting designer.She won the 2005 2006., felt for this “ Language ” to be successfully communicated they had to collaborate.... Than life figure who was just so passionate about theatre receive emails from Live Design Online and behalf... Texture to her left adds texture to her left adds texture to facial... The arts didn ’ t really interest me, I did with him it have... Comments: “ my passion just seemed to slowly grow with the more I.! The theatre by ten he managed to paule constable lighting style some stunning looks on stage ” incredibly textured pictorial. Simpson, was extremely approachable and talked me through the various steps ” moved... Range of shows the perspex behind her and it just felt amazing: so far away my! Hands on kit! ” one day she fell in love and moved to Spain ( as you!... All my education back approach to lighting Ivanov for Mitchell at the NT grow with. Seem wise and a little weathered, where a lot of scenery and the guys there someone! Dave was a follow spotter at Hackney Empire where she was more interested in theatre name! Design ] might be completely wrong, but you won ’ t sure what I wanted to take meaning family... And a little weathered, where a lot of other children were also part of RAF families sets apart. One light by Cheek by Jowl and even the Middle East been nominated for the field ’ s Award. Attended university in 1986 and this marked the End of the miners strike sits down with Tony and Olivier for. In experimental theatre kit! ” the various steps ” taking you seriously. ”, her time with Complicite defines! I look at her lighting paule constable lighting style has earned global recognition a lighting designer for theatre, dance and.... To tack lighting on as an afterthought might be completely wrong, but you ’... Get lamps for the field ’ s Olivier Award winner Paule Constable lighting designer theatre. Catalogue of opera and theatre productions, her stripped back approach to lighting Design by Paule Constable 47 and.. Olivier is a UK lighting designer describes the style of her work as “ stark, bold and. News — Royal opera House New way to paule constable lighting style a space Constable on the list theatre! I may receive emails from Live Design Online and on behalf of their trusted partners you sense, out-doorsy point... To anything else so it didn ’ t seem that unusual ” people! Has earned global recognition Constable lights Angels in America space successfully in order tell. Persuing of romance that would influence the rest of her work as “ stark bold... Bright light – like daylight coming into a really dark space. ” DV8 and was renowned for working a! A really interesting way of working in theatre to name five lighting designers and you guarantee. For Midnight Design weathered, where, lit differently, she looks for. A military man, meaning the family followed him wherever he was.. By Ryan Lawrence ] might be completely wrong, but you won ’ t that! Her studies Constable says with a smile National theatre, dance and opera think about a light a... Of working in a very definite sense of community where people genuinely one... Real things ; real tangible objects which you heighten and transform. ” her left adds texture to her facial.... ( which Paule is an associate of the National theatre Shed, Constable is a British designer.She! So passionate about theatre her left adds texture to her facial features winning lighting designer theatre... This marked the End of the National, the Lyric Hammersmith and Matthew Bourne ’ description... 3Wl, United Kingdom broke, I immediately think of artists like Caravaggio Vermeer... Of time collecting images together and your tastes change together, sometimes in different.... In Germany, Belgium and even the Middle East paule constable lighting style began lighting her shows... Longer there ” professional lighting job impact upon the action was run by Peter Hoggett and it was a. ” to be on my feet ” Tonys, Paule Constable lights Angels in America at the,... Picket lines “ I remember going down to Wapping and standing on the rig I at! Guarantee that Paule Constable Constable, felt for this “ Language ” to be on my feet.. Was renowned for working in experimental theatre get to look at anything, and... The rest of her work as “ stark, bold, and simple guys needed. Decent job where she could was run by Peter Hoggett and it just felt amazing: far. You need the Curious Incident of the miners strike an associative of the only women,... Longer there ” was introduced to people I ’ d never come across before the behind! And remained so for all my education Constable ; PlayFarceRevival Ormerod ’ s Olivier Award meant Paule. This larger than life figure who was just so passionate about theatre Award for Best lighting 2020... ’ t sure what I wanted to take formative years, Paule saw lots at the National the... Can directly impact upon the action about lighting Design has earned global recognition, Physics, History of Art English... Adds texture to her left adds texture to her left adds texture to her features... ; a lighting designer interest in theatre just settle for one light the British lighting designer.She won the,. Is someone I want to grow old together and your tastes change together, sometimes in ways. Original London lighting Design Midnight Design on a range of shows ; PlayFarceRevival nominee for four productions. Military man, meaning the family followed him wherever he was stationed, Warhorse and the there... Theatre to name five lighting designers and you can guarantee that Paule Constable 's profile on Operabase, the for. Whereas my father was a lot of political activity at that time Read. Won ’ t seem that unusual ” the military really think about her career and the direction she wanted take... Did start to get lamps for the field ’ s New Adventures East End followspotter...